I recently found myself in a peculiar predicament while watching Bait, the new comedy series created by the acclaimed actor and writer Riz Ahmed. I, too, have a background in acting and can't help but feel a twinge of envy when I see Ahmed's success. For a decade, I watched as he effortlessly landed every good acting job that came my way, and I was forced to acknowledge his undeniable talent. It's a bittersweet feeling, to say the least.
Bait tells the story of Shah Latif, an Asian actor who finds himself in the running to become the next James Bond. The series explores the internet's toxic response to the rumors, delving into themes of racial palatability, Britishness, ambition, and authenticity. It's a clever premise that mirrors the real-life debates surrounding the casting of the secret agent.
One of the most intriguing aspects of Bait is its exploration of the double standards in franchise casting. While there's a constant clamor for a Filipino Harry Potter or a neurodivergent Paddington Bear, the idea of an Asian actor playing James Bond is met with resistance. This is exemplified by Shah's ex-girlfriend, Yasmin, who dismisses his dream, arguing that playing Bond would make him 'white'. This dynamic raises important questions about representation and the complexities of identity.
What makes Bait truly stand out is its ability to balance humor and deeper themes. The show doesn't shy away from tackling racial attacks and harder subjects, but it does so with a light touch. The family scenes, in particular, are hilarious, with pass-agg Pakistani aunties sniping at each other's Eid celebrations. The show also capitalizes on jokes that no one else is allowed to make, giving it a fresh and unique feel.
Riz Ahmed's involvement in the series is a testament to his versatility and talent. His collaboration with writers like Jesse Armstrong and Chris Morris, known for their work on Four Lions and The Day Today, adds a layer of brilliance to the show. The use of steganography in the title screen, where the episode titles are revealed through color theory, is a clever touch that showcases Ahmed's attention to detail.
The cast of Bait is a dream team, with Himesh Patel, Guz Khan, and Nabhaan Rizwan delivering exceptional performances. Ahmed himself shines as the increasingly fractured Shah, effortlessly balancing emotional intensity, physical comedy, and self-mockery. His portrayal is a testament to his range and skill.
In conclusion, Bait is a must-watch comedy series that offers a unique blend of humor, social commentary, and brilliant performances. While I may still harbor a touch of envy towards Riz Ahmed's success, I can't help but admire his talent and the impact he has on the industry. Perhaps, in another life, I could have been a contender, but for now, I'll have to settle for appreciating the brilliance of Bait from the sidelines.
